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July 28, 2007

Breaking into Movies


set detail, originally uploaded by brappy!.

Rielly and I wandered into the Beijing Film Studio one afternoon. It's right next to the Beijing Film Academy. We snuck (well, walked) into the film studio through the back gate, bought some DVDs and ice cream at the store (we had to bargain for it), then we walked into another convenience store and went right out the back, directly onto a film set. Rielly had scoped all of this out before, so he knew where he was going. I was a few steps behind him as he wandered around, and there was an old lady in the convenience store. She yelled, "They don't understand! They don't understand!" when we walked in, and out of her store, going through the forbidden, but unlocked, door.

Then, we were on the film set, which was being readied for the filming of the new Chen Kaige film, starring Zhang Ziyi. It's a new film that is as yet untitled, about the life of an early 20th century opera star. The sets look pretty interesting. More photos are here.

July 25, 2007

I don't have time for your drama

Friday, my class was to meet at 1 o'clock at Tiantan, the Temple Of Heaven. I was planning on running errands, then doing a quick tour of the temple before joining my class. I went with my roommate to Jianguo subway station, where we parted ways - me to go to an ATM, him to go buy books. I was able to successfully withdraw money from a "foreign card only" ATM at the Guomao HSBC, which made me quite happy - ATMs are always chancy abroad, especially if you are using an American bank.

After a nice breakfast at Starbucks, I took a quick taxi ride over to Tiantan, and started visiting the temple. I got some really neat shots there, especially when using some FujiChrome that I later cross-processed. The resulting shots from that roll, which seems to be a bit heat-damaged, turned out mostly as a red-white duotone. It was really neat to see.

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July 20, 2007

Cui Zi'en


Cui Zi'en and James Tweedie, originally uploaded by brappy!.

Cui Zi'en 崔子恩 came to our class and gave a great talk.

Cui, who is often considered one of the ;most independent filmmakers in China today. He gave a great talk that focused on how he makes films - the most expensive he made cost $100,000 RMB ($13,222.30 USD) and the least expensive was done for just the cost of the DV cassettes.

He has an extensive filmography and really seems to focus on making sure that people are represented equally in his films. It's a unique approach. Out of all of the filmmakers, his talk was the most heartfelt and perhaps the most interesting. I was glad we got to hear about his films, his style of filmmaking and what inspired him.

July 19, 2007

A blur of Days

Since my last entry, the days have passed in a blur. My fellow students seem to be getting burnt out and I am finding it hard to concentrate at the end of our 7- or 8-hour days. The past few days have seen some rather interesting stuff.

Monday morning started with Beijing Film Academy lecturer Yuan Yuanying talking about two famous stars of early mainland Chinese cinema. She started out her lecture with a description of the roles played by woman in traditional Chinese opera culture, then moved on to how they appeared in the 1930s.

Shanghai was a big center of moviemaking due to its unique situation, being split between three governments - the Chinese city, Frenchtown (The French Concession) and the International Settlement; the city saw itself as cosmopolitan and super-modern, a vision of a gleaming future on the banks of the Huangpu River. Audiences flocked to films in large numbers - the rich arriving in cars, the middle class by tram, and the lower classes arriving by the grace of their own two feet.

Her lecture focused on the tragic career of 阮玲玉 - Ruan Lingyu, a silent film actress. Ruan was pretty notable because she always played women whose lives had been hit by tragedy. Her own life was tragic as well, as she committed suicide in 1935.

 After that,Yuan talked about 陳波兒 Chen Bo'er, who was a film actress, but later became the head of the Institute of Performing Arts. She died in 1951 of a heart attack.

Following our lunch, noted professor of Chinese cinema Dr. Chris Berry lectured on seperating Nation and Cinema in China. The discussion followed the outline of his book China on Screen: Cinema and Nation. His book was pretty interesting, but the lectures really summarized the chapters, which I had read in advance.

This was quite trying, as the thing I hate the most in a lecture is repetition of materials I already know. As I've been a China Studies student for so incredibly long, that I know a lot of stuff that is covered in lectures. This frustration came to a head long ago, so now I'm just very blasé about much of my lectures. Ugh. It's a horrible feeling, but it's one that shows up when you've been in school as long as I have.

Tuesday started with a visit by noted director Wang Houwei, who spoke about being a woman and a director in the 1980s. At least, that was what her lecture was supposed to be about. Instead, she talked about growing up and being a fourth-generation director, one who studied and worked during and after the cultural revolution. Her lecture was rather interesting, all told.

The afternoon continued with discussion of  actors in Chinese cinema and influence they had and in certain roles. Again, it was more reviewing of the readings I had done. Graw.

Wednesday was an easy day.  We had an early lecture and discussed more of the Cinema-and-Nation stuff. While I like and admire Dr. Berry's work, it was hard to have another lecture that was lots of review. At this point in our study, we have learned so many disparate things in lectures, it would probably be good  to discuss and have a seminar format, where we could discuss things that we have learned and debate, in an academic setting. After so much input, discussion and synthesis would be really productive.

I spent my afternoon off napping. It was lovely.

July 15, 2007

Today I'm a Man


unrestored wall section, originally uploaded by brappy!.

We went to the great wall at 司馬台 on Saturday. Simatai is pretty interesting, but the wall is quite a big climb. Fortunately, you'll get your own guide, whether you want one or not. Mine had a unique hatred of Germans, I'm not not sure.

My class was hell-bent on hustling up several mountaintops. After a few towers, I realized that they were increasingly similar, yet harder to reach. Plus, we didn't eat breakfast. What the heck? So, my guide Mrs. Du, and I headed back and we chatted about her family while I tripped on the loose bricks on the way down.

Back at the base, I pulled out my brilliant book, ordered a Yanjing beer, some tea and then chatted with some French people about politics. After I wished them a happy Bastille day, they bought me some beer. After an hour and a half, my class came back, worn out and hungry. I was quite happy with myself (the beer helped my ego) and glad I ate when I did.

On the sleepy bus ride back, I saw perhaps the best blue truck ever! Unlike Taiwan, where blue trucks have four wheels, in the mainland, they often have three wheels - one in front, two in back (the mullet of blue trucks)... I saw one such three-wheeled bizarreness carrying a full load of donkeys in the back! I couldn't stop talking about it. Too bad, I didn't have my camera out... grar!

More photos of the great wall... on flickr, film is being developed presently...

BFA - Friday with WXS

Noted director Wang Xiaoshuai (王小帥*) taught our class Friday afternoon. I spent the morning sleeping in, puttering around and goofing off. I also did laundry!

Wang Xiaoshuai - 王小帥

Wang's lecture was pretty interesting. He told some fascinating stories about his early filmmaking days. Originally, he had been studying painting, but later became interested in filmmaking. After going to  the Beijing Film Academy, he took a job in Fujian that he apparently really hated. Like many of the filmmakers here, he made some independent films, working outside the system. Interestingly, he considered himself part of the "luckiest" generation of Chinese filmmakers - he was afforded creative freedom and was able to produce films before the market for Chinese films was decimated in the past ten years. Yet again, we have the familiar refrain of a bad film market destroying opportunities to create films in China.

An actor from his new film, Shanghai Dreams, was along to listen to Wang speak. It was kind of interesting. I found Wang one of the better speakers we have had so far. 

After class, I drug my classmates to the best. place. ever. 家樂福! Carrefour! Then, I rested, before going out for dinner in 國貿.

 

* Literally, King Little Handsome. He wins my award for best Chinese name of the year. 

BFA - Friday with WXS

Noted director Wang Xiaoshuai (王小帥*) taught our class Friday afternoon. I spent the morning sleeping in, puttering around and goofing off. I also did laundry!

Wang Xiaoshuai - 王小帥

Wang's lecture was pretty interesting. He told some fascinating stories about his early filmmaking days. Originally, he had been studying painting, but later became interested in filmmaking. After going to  the Beijing Film Academy, he took a job in Fujian that he apparently really hated. Like many of the filmmakers here, he made some independent films, working outside the system. Interestingly, he considered himself part of the "luckiest" generation of Chinese filmmakers - he was afforded creative freedom and was able to produce films before the market for Chinese films was decimated in the past ten years. Yet again, we have the familiar refrain of a bad film market destroying opportunities to create films in China.

An actor from his new film, Shanghai Dreams, was along to listen to Wang speak. It was kind of interesting. I found Wang one of the better speakers we have had so far. 

After class, I drug my classmates to the best. place. ever. 家樂福! Carrefour! Then, I rested, before going out for dinner in 國貿.

 

* Literally, King Little Handsome. He wins my award for best Chinese name of the year. 

BFA - Thursday Li Yang

Director Li Yang led our class on Tuesday. He spoke at length about He was the director of Blind Shaft, which he claims is the first completely independent film made in the PRC. Because he worked outside the system, his film was banned, and he was banned from working within the Chinese film system for 3 years.

For his next film, he worked within the system, and it is about to be relased. Some interesting things that he said included:

  • Chinese directors have rights to final cuts of their films
  • As a director, you must have immense problem-solving skills
  • To make a good film, you must follow the "5Ws" of Journalism - "What do you want to say? How do you want to say it," etc.
  • "Lacking freedom, artists lack imagination"
  • Government-sanctioned films in the mainland often just want to show the positive side of the life in the mainland, not the real life here.

What is becoming readily apparent, through hearing all of these filmmakers speak, is that there is a lacking market for Chinese films, and that a major struggle for their future will be to find an economic model for making film work. Few talk about opportunities in television, advertising, etc. Perhaps next week, we will discuss that more.

After Li Yang spoke, we went on a hutong tour, then had dinner. The hutong tour is well documented in this photoset. I don't think I can add anything to the masses of literature written on hutong life, other than to say that they're interesting, but likely poorly-suited for modern life in an urban environment.

BFA - Thursday Li Yang

Director Li Yang led our class on Tuesday. He spoke at length about He was the director of Blind Shaft, which he claims is the first completely independent film made in the PRC. Because he worked outside the system, his film was banned, and he was banned from working within the Chinese film system for 3 years.

For his next film, he worked within the system, and it is about to be relased. Some interesting things that he said included:

  • Chinese directors have rights to final cuts of their films
  • As a director, you must have immense problem-solving skills
  • To make a good film, you must follow the "5Ws" of Journalism - "What do you want to say? How do you want to say it," etc.
  • "Lacking freedom, artists lack imagination"
  • Government-sanctioned films in the mainland often just want to show the positive side of the life in the mainland, not the real life here.

What is becoming readily apparent, through hearing all of these filmmakers speak, is that there is a lacking market for Chinese films, and that a major struggle for their future will be to find an economic model for making film work. Few talk about opportunities in television, advertising, etc. Perhaps next week, we will discuss that more.

After Li Yang spoke, we went on a hutong tour, then had dinner. The hutong tour is well documented in this photoset. I don't think I can add anything to the masses of literature written on hutong life, other than to say that they're interesting, but likely poorly-suited for modern life in an urban environment.

BFA - Wednesday

Wednesday was a nice day off - I went to Jingshan Park, which is just north of the Forbidden City. It was an interesting day... and there are lots of photos on flickr.

BFA - Wednesday

Wednesday was a nice day off - I went to Jingshan Park, which is just north of the Forbidden City. It was an interesting day... and there are lots of photos on flickr.

July 11, 2007

BFA ~ 7 Tuesday with Zhuangzhuang


田壯壯 Tian Zhuangzhuang, originally uploaded by brappy!.
 
Our morning session was a continuation of the lecture James began the day before on Chinese Realism. I particularly enjoyed the part on painting and how that is incorporated into the images of realism. The selections from the film The Red Lantern were equally fascinating - in true Socialist fashion, the Revolutionaries are martyred to the tune of "The Internationale". Classy, huh?
Noted director Tian Zhuangzhaung taught our afternoon class. He gave a pretty interesting recounting of his early years in cinema and some bizarre stories from growing up during the Cultural Revolution. I found him really photogenic and a lot of fun to listen to.

After Tian left, I felt vaguely homicidal, so I took off. My classmates were going to watch Shen nu 沈女 - The Goddess, which I have seen at least 3 times.  Instead, I went on a bizarre errand to go to Wudaokou... the really long way, by taking the entire line 13 subway from the east end to the west end, which is close to where we are. It wasn't a well-thought-out idea, but I had a nice time nonetheless. Plus, I didn't piss off anyone other than myself. Yeeha.

BFA ~ 6 (Monday)

I woke up this morning thinking I was going to die; my cold got worse overnight. We had an early start, and after being out late for dinner, it was hard to sleep. I woke up around 8.30, already late for class and our classmate banging on our door. I shuffled my roommate out of the room and sat to "rest my eyes".

I woke up around 10.30 and my throat was burning. At lunchtime, I went to 五道口 Wudaokou (Five street intersection) and went to Watsons, which is a drugstore in every market... except China. Here they don't sell anything remotely resembling Sudafed, just health and beauty aids. It was like the whole store was missing the second floor. Ugh.

James' lecture after lunch on realism was interesting. I didn't realize that he would go so heavily into Chinese painting. I got lost in the use of simplified characters (yes, I hate them, you should too) and it took me a while to realize that he was talking about 國畫 (the simplified variant looks like 国画). The lecture was well-done, although it was disappointing that we had to break it over two days, but my attention was flagging.

After a break, the class watched Frozen while I went back to sleep. I woke up as my roommate came back from the movie, had dinner and went to sleep again. I hoped I would feel better in the morning...

BFA ~ Sunday

Sunday at BFA was quiet. After going around Tian'anmen the day  before with my camera, I spent the morning on Sunday studying with Rielly and Deborah over at Wudaokou. After about three hours of that, Rielly and I ditched her to go to 家樂福 -Jia le fu- Carrefour, or, The Best Store in All of China. I just love Carrefour. It's so easy to shop at. Sure, it's generic and boring, but I can find almot everything I want there. I even found Jolly Shandy for sale!

That evening, the class watched the bizarre film, Genghis Khah (aka Genghis Khan, but the DVD had a bad title menu). I can't figure out which of the many GK movies this is on IMDb, so I won't link to it, but I will tell you... it felt like a bad TVB drama, full of overacting and such.

I was starting to get a cold, too, so I was not really enjoying the film.

 After the film, we went as a class, out to eat at a restaurant with a furious neon sign. The meal was good, but I was beginning to feel pretty gross. Ugh. :-(

July 07, 2007

BFA ~ 5 (Friday) China National Film Museum

Friday found us loaded onto a bus and headed to the China National Film Museum, somewhere out beyond the Fourth Ring Road. It's a humongous museum and almost monumental, but about half of the interior is a multiplex and IMAX theatre. I took a lot of photos of the more interesting parts of the interior.

 A major issue with the museum was the lack of English descriptions and I was able to pass through some sections rather quickly. A lot of the descriptions were also full of state ideology, so they could be tedious.

One particularly enjoyable area was the production floor and the pre-digital special effects area. It was interesting to see how some were done - the set-up were rather complicated in many cases.

The entire museum gave me a weird feeling, particularly when I went to the coffee shop, which didn't have coffee. Part of it was that it was deserted and lonely, except for some old people coming to watch the (heavily censored) Pirates of the Carribean on the IMAX screen (second largest in Asia).

 Following is a video I put on youtube of me whining while in the coffee shop...

July 05, 2007

BFA ~ 4 (Thursday)

After a day off, when I went to the Summer Palace, we were back in lecture on Friday. Zhang Xianmin started out the day with a discussion of film festivals, including the following:

His lecture was interesting, but I think he's a bit too... too... something. Too mellow? I think he is smart and interesting... just too... too... quiet. I'm sure his Chinese lectures are better, but I don't know.

After that, I headed north for lunch. Like... all the way to 五道口 (Wudaokou) for coffee at a Starbucks. After hit-or-miss (but cheap) meals, I needed something reliable, and 咖啡因 -kafeiyin - caffeine... After the cab ride back, we had another lecture by Yomi.

 This lecture delved further into the spaces of Beijing. Courtyards, division of spaces and inner-and outer- divisions of culture and how that idea went from a house to an entire city. It was interesting. The material could be improved by incorporating more information about the living spaces of those who didn't have courtyard houses and servants.

 Next, we saw The Horse Thief, which I didn't care for. I found it dry, slow and boring. Lately, I've been having large problems with rural films from China boring the crap out of me. After the movie, I went to my room to relax and space out. Instead, I went to a strange, large restaurant with Yomi and my roommate. After about an hour of sitting in a taxi, we arrived at the restaurant.

 It was a long meal. That night, I had a bizarre dream about my professor and I interviewing Tammy Faye Bakker and him making her cry so she couldn't go on Larry King Live. Weird.

BFA ~ 2

Day two at BFA started with an early morning lecture by Zhang Xianmin. His two-hour lecture covered a lot of different films, but after conferring with my classmates, we are all unsure of what the lecture topic actually was.

 There was a lot of discussion of the benefits of 35mm film vs Digital Video. My stomach started rumbling loudly and my thoughts turned to lunch. While my classmates decided to go to the grocery store,

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July 03, 2007

Day One at BFA

Our first day at Beijing Film Academy started a bit roughly at 9.00.

My day started at 7.00 when I got up and went for a short jog, to the front gates of the Beijing Film Studio. The air is thick and tickles my lungs. I realize that all I want to do is cough uncontrollably and go back to sleep. 

Most of the class was severely jetlagged because they only arrived the day before. Most of them have pretty limited experience with Asia from what I can get. Some however, are very expreienced with Asian culture and such, so it's an interesting mix. Those of us who can get by in guoyu putonghua mandarin are going to be in demand for our taxi driver skills.

 I find I have a lot of trouble understanding the Beijing accent. It's a heavy "zher sher war dar peng you" sound, as opposed to the cleaner sounding Taiwan accent I am used to. I seem to get along better in Beijing than in Taipei, but I'm not sure what that's about. Perhaps I'm just better prepared? I don't know...

 The day started with a lecture by Zhang Xianmin,

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